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One particular interest of mine is the transformation of "music" in the twentieth century, under the influence of the recording industry: Far from the solitary or group activity (singing alone, playing alone or in a group, hearing the performance of a group among other people) or contemplation of a sequence of intervals (the music of "music theory") it once comprised, "music" in our age of mass production refers to a complex culture surrounding the promotion and distribution of digital recordings. Unbound from the previous century's technological limitations, with access to the variety of free and proprietary tools for downloading, manipulating, sequencing, categorizing, and producing audio one can find on the Internet today, the contemporary computer-user has unprecedented access to "music," whatever that means.


Currently my various audio recordings on this site are grouped into the following four pages:




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